Contributor post by
Lisa Solomon |
| the artist with caterpillar mustache |
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i was lucky enough to see
nina katchadourian speak once at
catherine clark gallery in san francisco [which by the way is consistently one of my favorite galleries in the city]. i love me some conceptual art that has a sense of humor - and that is exactly what katchadourian provides.
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| nina katchadourian - from the shark journal - sorted book project |
sorted books is a perfect example of this. the arranging of book titles - in various collections, and photographing them, so that their meanings are altered.
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| nina katchadourian - from "composition" - sorted book project |
deceptively simple i like thinking of the book as an art material, not just as an object in and of itself. i find myself interested in the size and shape and arrangement of these besides just the humor that the titles invoke.
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| nina katchadourian - map dissection 1 |
i'm also a fan of maps. and the idea of mapping. a map is such a functional - and in this day and age almost antiquated - thing. there is something intriguing about trying to depict a 3 dimensional place on a 2 dimensional plane - and i like how a map simultaneously does and doesn't make sense. here katchadourian took a AAA map of the united states removing all the land and leaving just the roadwork.
it's interesting to think about how the roads connect us - and that even with the land removed the overall shape of the united states is still discernible. [i'm also rather amazed at the intricacy and delicacy and beauty of this as a cut piece of paper]
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| nina katchadourian - map dissection ii |
then she took the same map and put areas of road that formed clusters together and sandwiched them in slides - like specimens. what do our roads say about us? she was interested in how some of them started to look figurative when removed from the whole....
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| nina katchdourian - genealogy of the supermarket |
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always interested in systems and family trees she's also done funny things like a genealogy of supermarket products/characters. who/what is related to who/what and what kid would they have ? [oh mr. clean and mr. brawny - i had no idea you were responsible for the gerber baby cuteness].
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| nina katchedourian - lichen moss map |
born in the states, but raised in finland, katchedourian always saw familiar shapes in the moss by the rocks in her family's summer home. rubbing letters onto places she recognized she created about 20 moss maps... funny, right?
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| nina katchedourian - mended spiderweb 8 |
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but i have to say - the pieces that really really speak to me are from her
mended spiderweb series.
here's what she says about the project:
The Mended Spiderweb series came about during a six-week period in June and July in 1998 which I spent on Pörtö. In the forest and around the house where I was living, I searched for broken spiderwebs which I repaired using red sewing thread. All of the patches were made by inserting segments one at a time directly into the web. Sometimes the thread was starched, which made it stiffer and easier to work with. The short threads were held in place by the stickiness of the spider web itself; longer threads were reinforced by dipping the tips into white glue. I fixed the holes in the web until it was fully repaired, or until it could no longer bear the weight of the thread. In the process, I often caused further damage when the tweezers got tangled in the web or when my hands brushed up against it by accident.
The morning after the first patch job, I discovered a pile of red threads lying on the ground below the web. At first I assumed the wind had blown them out; on closer inspection it became clear that the spider had repaired the web to perfect condition using its own methods, throwing the threads out in the process. My repairs were always rejected by the spider and discarded, usually during the course of the night, even in webs which looked abandoned. The larger, more complicated patches where the threads were held together with glue often retained their form after being thrown out, although in a somewhat "wilted" condition without the rest of the web to suspend and stretch them. Each "Rejected Patch" is shown next to the photograph showing the web with the patch as it looked on site.
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| nina katchedourian - mended spiderweb #14 |
i think in many cases kathedourian's art works on a conceptualal level really well - it holds my attention, makes me think, points out the absurd and interesting in the everyday - but it doesn't always hold my heart. it doesn't make me long to own it. interact with it YES. have it on my wall, NO. but these pieces. these i want.
just brilliant, right? the red thread is beautiful. the fact that the spider rejects the mending and yet it stays intact, fallen, is beautiful. watching
the video of the spider rejecting the red thread is pretty amazing. and the photos they are lovely to look at. a moment before destruction.
i love the idea of this human intervention, with the best intentions, just not working out. a metaphoric example of us, as a human race - meaning to do good, but still failing.
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| nina katchadourian - mended spiderweb #19 |
this is the one that i would like to own. it's complicated web. i love the tiers of mending and how the move away from and toward the tree. the laundry line is beautiful with those 2 clothespins catching the light and the dark cabin in the woods in the background. yup. this is the one for me.
until next time.... follow my collection on
pinterest..................................
lisa solomon is a mixed media artist who lives in oakland, CA with her husband, young daughter, a one eyed pit bull, a french bulldog, a cross-eyed cat, a 3 legged cat, and many many spools of thread. she moonlights as a college professor, a graphic designer, and is a partner in MODify/d a crafty biz that up/cycles and re/purposes discards from the fashion industry.
Marcella Kaspar is a Prague-born artist who lives in Australia. She uses 17th century 'old masters' techniques of opaque layering and transparent glazing to create works of great beauty, conveying a play of light and dark.
....As are peonies. Isn't this painting just stunning in it's beauty?
If I had to describe Marcella Kaspar's artwork in a single word, that word would be 'luscious'.
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